第五届世界青瓷大会 “宋瓷梦华”— 青瓷沉浸式交互艺术展

展览策展 / 展示设计 /  媒体艺术设计 /  海报设计

2022

2024年度iF设计奖

展览围绕着“青瓷符号化”的现代诠释进行设计，以青瓷手艺人的拉坯动作为空间灵感，“双屏如匠手，中台如器旋”将青瓷成型的基础动作——“旋转”作为展览空间布局的基本逻辑。从青瓷与人和社会的真实关系出发，牵引出观众对青瓷、从“生活、礼乐、中国、世界”四大维度的深度理解与共鸣。

中岛艺术展台选用南宋龙泉窑青瓷斗笠碗为原型，“生活”与“礼乐”青瓷展示内容展于其上。多媒体交互艺术设计以世界著名博物馆藏南宋龙泉官窑器物为主体，通过3D裸眼技术实现青瓷向世界传播的“穿越五城”跨时空展示。

The 5th World Celadon Conference: Celadon Immersive Interactive Art Exhibition of “A dream of splendor of the Celadon of Song Dynasty”

Curating, Exhibition Design, and Media Art Design

The exhibition is designed around the modern interpretation of “celadon symbolization”, and takes the drawing action of celadon artisans as the space inspiration. “Double screens are like a craftsman’s hand, and a central platform is like a rotating tool” takes the basic action of celadon molding — “rotation” as the basic logic of the exhibition space layout. Starting from the real relationship between celadon and people and society, this new interpretation of this eternal historical topic draws the audience’s deep understanding and resonance of Celadon from the four dimensions of “life, rites and music, China and the world”.

The central art platform selects the celadon bowl of Longquan Kiln of the Southern Song Dynasty as the prototype, with exhibits related to “life” and “rites and music” showcased on it. The multimedia interactive art design is based on the collection of Southern Song Dynasty Longquan celadon ware in world-renowned museums, this project uses 3D naked-eye technology to achieve a cross-temporal and spatial display of celadon through the “Five Cities Across Time and Space” exhibition.